Banner detail: Taking the Forest Cure, laser cut etching, monotype print, cyanotype and silkscreen, Emily Shepardson for MFA’s Imprint 2025
Printmaking is a dynamic and versatile form of artistic expression that bridges tradition and innovation. It allows artists to explore repetition, texture, and process while communicating powerful ideas and imagery. Through various techniques, printmakers harness the potential of line, form, and surface to captivate the viewer’s eye and convey meaning. The process-driven nature of printmaking invites exploration and innovation, making it a rich medium for storytelling, experimentation, and reimagining visual language. We invite artists working in traditional, contemporary, or hybrid forms of printmaking to submit works that demonstrate the transformative potential of this enduring art form. Maryland Federation of Art (MFA) invites all artists residing in any of the states or territories of the US, Canada, or Mexico to enter. MFA exhibitions are blind juried by professional and credentialed art experts. Any original 2D and 3D artwork in any printmaking media will be considered. Works selected by the juror will be exhibited in Maryland Hall’s Earl Gallery from August 20 – September 23, 2026. Exhibition Chair: Nancy Keene Fishel Click this icon to view and print the downloadable prospectus. Jenn Bratovich is Chief Curator at Print Center New York, where she uses her decade of curatorial experience to lead all aspects of the organization’s artistic programming. Since joining Print Center in 2019, she has played a key role in leading the organization through a transformational strategic plan that included a move to a new, ground-floor exhibition space in the heart of Chelsea, growing the organization’s operational and programmatic capacity, and sharpening its artistic vision. Working with invited guest curators, she has developed a program of exhibitions that have solidified the Center’s reputation for its rigorous yet accessible curatorial approach. She has also significantly grown the organization’s educational and public program offerings and led development of a new exhibition and artist development program that aims to provide meaningful material, artistic, and community support to emerging artists working in print. In 2025, she launched the Center’s first open call for emerging curators. As a curator, her recent projects include the New York presentation of Storywork: The Prints of Marie Watt (2024, with Robin Siddall; originally University Galleries at the University of San Diego); and Nicole Eisenman: Prince (2023, with Judy Hecker). With Alex Santana, she is co-curating Felipe Baeza’s first institutional exhibition in New York, scheduled for 2026. Jenn also serves on the Board of Directors at Women’s Studio Workshop.
1 or 2 entries $45 (MFA Members $30). Up to 4 additional entries $6.75 each (MFA Members $4.50). Entry fees are non-refundable. NOTE: Should Maryland Hall be closed for reasons beyond our control, MFA reserves the right to move a planned physical exhibit to our online gallery. All entrants will receive notification by email. Accepted artists will also be posted on MFA’s website. Artists who have unsubscribed from MFA emails will not receive notification. The notice to accepted artists will include specific details and could vary from the prospectus. Please set your email account to recognize eleanor@mdfedart.org and info@mdfedart.org. Contact Circle Gallery if you do not receive notice by 6 PM on the day of notification.Please click the button above to enter this show on ArtCall.org. You will need to create a free account to enter your work.
We are using a new entry platform, that uses different terminology than you might be used to seeing. In ArtCall:
You will be asked to pay for the number of artworks you’ll be uploading in advance. You can add more later.
The word “application” means artwork, so one application is one work of art.
“Attachments” means images of the artwork, you can upload up to 2 images. You do not need to pay extra for attachments.
For first time users, we recommend the following resources:
Introducing Imprint
Juror: Jenn Bratovich, Chief Curator at the Print Center NYC
Bratovich has previously held positions at Hunter College Art Galleries and Women’s Studio Workshop. She received her BA from the University of Rochester and her MA in art history from Hunter College, where she focused on postwar practices in Europe, the US, and Latin America. Her curatorial work is informed by the idea of the exhibition as a forum for public learning and discourse, and by artist-centered approaches to both expanding histories and uplifting emerging artists. She is interested in how print, as a set of tools, processes, and strategies, is used by artists working within interdisciplinary practices.Terms of Entry
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